Color Me This!

I’m excited about this first post in a new series I’m calling, “Color Me This!”, looking at color and inspiration. One of the first questions that I ask a bride when we meet to discuss invitations is about her color palette. Color (or lack thereof) seriously informs the design of a wedding from the beginning to the end.

Recently, we worked with a bride who was getting married at a beautiful, sort of crumbly ruin set in a lush garden located in Antigua, Guatemala. She started by sending just a couple pictures of the venue so that I could get an idea of the mood/feel of the place.

As you can see, there are beautiful neutrals (layer upon exposed layer!) and soft green grass, blue skies and a boatload of colors to choose from. Our client didn’t feel like she had “wedding colors” that she was tied to, but wanted to incorporate soft natural colors taken from the venue and its surroundings.

We landed on a color palette of fresh and light, airy blues, greens and grays.

Although the venue felt organic and natural, the tables were set with crisp white linens, silver beaded plates and silver flatware… we needed to keep the invitation spirit in line with the classic nature of the wedding decor.

And here’s where we ended up:

Utilizing simple slate gray ink letterpressed on cotton paper for the front of the invitation, we maintained the integrity of the classic, upscale mood, but injected personality and whimsy by adding reverse side letterpress printing in a variety of inks and patterns. We pulled in silver with the calligraphy, and utilized a few pops of spring green and lamb’s ear (minty green) alongside the dark and light grey inks.

You get a really great picture of all those colors coming together with the above shot where all the parts and pieces are layered and assembled.

Gone are the days of black script straight down the page! What’s your inspiration? A beach scene? Fun and festive barn? Joyful backyard bash? Let’s turn it into a color palette and paper suite worth singing about!

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Wave Your Banner High!

Here and there and everywhere: I’ve noticed this trend of cool, fun banners everywhere I look. Check out some of these perfect banner motifs… and wave your own banner high!

1/ DIY Stamp tutorial showcased on Oh So Beautiful Paper by Antiquaria.

2/ Ex Libris banner book plate rubber stamp by Extase on etsy.com.

3/ Custom letterpressed wedding invitation by Thomas Printers.

4/ Recycled metal banner broche with stamped words by Lux and Love on etsy.com.

5/ Letterpressed Valentine Card by Wiley Valentine.

6/ Cake topper by Ready Go Paper on etsy.com.

7/ Custom letterpressed wedding invitation by Low Country Press.

8/ Directional link on indie art website Big Cartel.

9/ Letterpress design company The Hungry Workshop‘s logo.

Crane & Co. Top Five Designs of 2011

We are so honored to be chosen by the grandfather of paper companies, Crane & Co. as one of their Top Five Favorite designs of 2011. See the article posted by Crane here. We love being a part of the stationery design community and feel that it’s such a thrill when established people take notice of our work.

You can see our original blog post on the winning design here. This design was first featured on my favorite paper blog, Oh So Beautiful Paper which you need to check out if you haven’t already.

Thank you, Crane & Co., for the recognition. And of course, thanks for making rockin’ good paper to print on. Keep it up.

Soapbox Episode: “Just ’cause it’s letterpress don’t make it good.”

Recently, a client came in holding an invitation… it was chartreuse ink letterpressed onto cream stock. Only, it was supposed to be gold ink. And the impression was iffy at best—it wasn’t a clean, crisp impression by any means. On top of all that, the paper wasn’t very thick or luxurious. This client had found a ‘bargain’ letterpresser online and was tickled to save a good bit of money on her ‘letterpress’ wedding invitations…. until they arrived at her door and saw the off-ink and lack of excellence in printing. The whole scenario reminded me of a phrase Ty and I use around the studio: “Just ’cause it’s letterpress don’t make it good.” (Well, we actually use proper English, but it just sounds better like that.)

I’ve noticed more and more that people love to talk about the benefits of “the creative process” and its impact on products today. Recently, I read an article showing a social media employee who started her own letterpress stationery company because she “enjoys the creative process.” Hear me clearly: a hobby is a great thing. I just wish people would be more careful about selling a product to a consumer when they are still in the midst of a learning curve.

People often ask us where we print our products. I used to tell them about the letterpress we have in our garage. This is true, we do have a letterpress in our garage, but it’s never been used to print a single product for a paying client. Instead, we outsource all of our printing to various artists, craftspeople and printers all over the USA. Why? Because we are very, very good designers. My greatest joy (truly!) is to play with color, type, graphics, borders, papers, etc to custom create an outstanding wedding invitation for a client. But we are not amazing printers.We have spent over nine years working hard to find the best letterpressers, offsetters, engravers, screen printers and even digital printers. We know the best papers and print mediums for each and every job. And when we don’t, we rely on our excellent print partners to give their recommendations so that our client ends up with a beautifully designed and perfectly printed invitation.

As I step off my soapbox, here are a few concluding thoughts:

“Do what you do so well that they will want to see it again and bring their friends.” {Walt Disney}

“Best Efforts will not substitute for knowledge.” {W. Edwards Deming}

“You have to perform at a consistently higher level than others. That’s the mark of a true professional. Professionalism has nothing to do with getting paid for your services.” {Joe Paterno}

“Letting your customers set your standards is a dangerous game, because the race to the bottom is pretty easy to win. Setting your own standards–and living up to them–is a better way to profit. Not to mention a better way to make your day worth all the effort you put into it.” {Seth Godin}

A South Louisiana Celebration

This oversized A9 invitation (5.5×8.5ish) is one of my favorites! Printing on sturdy, thick conservation board gives the soft design the heftiness it needs. Celebrating Louisiana was a big part of the day… so a reply postcard is printed with a fun quote on one side and a reply card on the other… perfecto!

With warm eggplant and moss inks and a gorgeous all-over pattern on the reverse side, this design was a little bit classic, a little bit fun, and a whole lotta Louisiana!

Vintage Book Delight

When Annie came into our studio early this summer to discuss invitations for her September wedding, she knew that she wanted to utilize fall colors and hoped to somehow create a piece that was inspired by a vintage book. Her outdoor, laid-back wedding would take place at the Governor’s Mansion in Nashville, and she wanted the whole thing to feel effortless and casual, utilizing raw linen, rough wood and burlap as her event focal pieces.

It took about 200 rounds of proofs to get all the details nailed down (okay, I’m exaggerating), but the finished piece was absolutely stunning and spectacular. Our little studio had a grand old time producing each book by hand (self-adhesive book cloth we discovered in the UK made ALL the difference): adhere book cloth to spine, adhere marbled paper to inside cover, insert inner page, tie with baker’s twine… LOVELY finished piece. This was a labor of love for our whole studio, and we’re thrilled and delighted with the finished products.

And if that weren’t enough, we also had the opportunity to create additional pieces for the day-of: programs (three different colors for the cover) and an Out of Town Guest Booklet.

Invitation details:

French Speckletone Olive cover stock was letterpressed in metallic gold ink for the booklet cover. The Crane Lettra stock used for the inside spread was letterpressed in chocolate brown ink on one side and flat printed (multiple inks) on the other. The map was created by a friend of the bride as a wedding gift. Library-style pockets were a custom created die-cut so that a standard reply card set would tuck inside.

The reply card was designed to look like a library return card and was letterpressed on Crane stock in chocolate brown ink. The reply envelope was flat printed in a rusty brick red color onto a bright orange envelope stock.

Invitation envelopes were written in calligraphy by hand in a mixture of script and roman styles in chocolate ink. The envelope return address was flat printed onto the flap in metallic gold ink.

Stationery was letterpressed in gold ink on Crane lettra stock; bright orange envelopes were paired with it for a pop of color and funk.

Programs were offset printed on three different cover stocks: French Speckletone chocolate, olive and brown. All covers were printed with gold ink and all inside spreads were offset in chocolate ink and tied with the same baker’s twine (in mocha) that we used for the invitations.

Twelve-page Out of Town Guest booklets were offset printed onto Speckletone Olive cover stock and cougar natural text weight stock for the inside pages (printed in chocolate brown).

Phew! I think I’ve covered it all. Annie, thanks for your trust, vision and love! This was such a super fun project and we so appreciated being a part of your big day.

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Getting Some Attention…

We are thrilled and delighted to have one of our custom designs featured on Oh So Beautiful Paper today! Nole of OSBP does the best, best, best job (in my humble opinion) of showcasing design-forward, current and invigorating stationery design. And one of my favorite things about this blog is it’s specificity: it’s paper, paper, paper and nothing but paper. See our whole spread on Olivia’s fun 4th birthday party invitation here.

Thanks for the shout-out, OSBP! Keep up the good work…

In the meantime, here are some close-up pics of Olivia’s invitation for your perusal.

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Ho ho holidays around the corner…

It’s October… a chill is in the air and the leaves are already littering my driveway. You may think that Christmas card season is a long way off, but you’d be a-thinkin’ wrong! Our super duper Type A clients have already been placing their holiday card orders. Start thinking NOW… this way you avoid the crazy running-around-like-a-chicken-with your-head-cut-off madness that tends to be the first week of December. The magical first week of December is when people start to receive their first holiday cards in the mail… and realize that they haven’t ordered theirs yet. Get on it now, folks. The sooner, the better!

This summer I had two fab interns, Brooke + Diana from the UT Graphic Design Department working with me to create some new holiday looks. I know that they felt a little odd designing Christmas cards in the sweltering heat of June and July, but that’s the way we roll in this industry. I’m posting their fabulous creations for T.H.E. here. If you’re interested in one of these designs, give me a shout… or just purchase online; they should be added to our site within a week or so.

Photography by:

503 Photography

Angela Acker Photography

Smitten Photography

Meg Brown

Modern Ink

Our dear friends at Modern Ink Mag showcased a mini-spotlight on The Happy Envelope in their latest issue. We love to collaborate with creative peeps like Allison and Rachel at Modern Ink Mag. This is just a screenshot… check out their latest online magazine here. Full of fashion, art, beauty, design and products… you’ll love it as much as I do. Also, my dear friend Susan at J.Press Designs created the Modern Ink logo and laid out their first two issues… kudos to your great eye, as always, Suze! You can purchase Susan’s great designs here. Grab a cuppa joe and sit down to enjoy a great magazine. Aaaah.

Both of of spreads are featured below. These images showcase our studio door, our studio chalkboard bridal wall, calligraphy, letterpress equipment, production work and some recent work.

Rachel + Todd’s Wedding

We are back to visit with Rachel and Todd, now officially ‘Mr. and Mrs. Sparks.’ You can see our blog post on their fabulous invitations here. We letterpressed clean, sophisticated type onto ultra thick 220#, 100% cotton paper stock and painted the edge a peacock blue. Gorgeous!

Now that Rachel is officially Mrs. Sparks, I’m able to share some wonderful photos of their wedding day. Ty and I decided that Rachel and Todd may be the prettiest people that we know in real life, so these pics are to die for, if only to swoon over a super cute couple. Plus, with the joining of the last names “Candy + Sparks,” how can you go wrong?

The ceremony was at Church of the River in Memphis, Tennessee and the reception took place at the beautiful Woodruff-Fontaine House.

Rachel wore these adorable blue flats (way to go with comfort AND style!); Todd is an architect and designed the programs himself (with a few typeface suggestions from their beloved stationery designer)… I’m impressed with his final product! Proof that DIY can be totally perfect when done carefully.

Floral designs by the bride’s family friend, Kathie Ray of Gatherings Flowers. Superb! I love the unique variety.

The best part of the Woodruff-Fontaine House may just be the adorable Children’s Cottage… Rachel had it filled with candy and sweets for the little ones. What a sweet sentiment!

Photography by Jen McDonald.

Music by Knoxville’s own Old City Busker’s.

Catering and cake by Me and My Tea Room.