Soapbox Episode: “Just ’cause it’s letterpress don’t make it good.”

Recently, a client came in holding an invitation… it was chartreuse ink letterpressed onto cream stock. Only, it was supposed to be gold ink. And the impression was iffy at best—it wasn’t a clean, crisp impression by any means. On top of all that, the paper wasn’t very thick or luxurious. This client had found a ‘bargain’ letterpresser online and was tickled to save a good bit of money on her ‘letterpress’ wedding invitations…. until they arrived at her door and saw the off-ink and lack of excellence in printing. The whole scenario reminded me of a phrase Ty and I use around the studio: “Just ’cause it’s letterpress don’t make it good.” (Well, we actually use proper English, but it just sounds better like that.)

I’ve noticed more and more that people love to talk about the benefits of “the creative process” and its impact on products today. Recently, I read an article showing a social media employee who started her own letterpress stationery company because she “enjoys the creative process.” Hear me clearly: a hobby is a great thing. I just wish people would be more careful about selling a product to a consumer when they are still in the midst of a learning curve.

People often ask us where we print our products. I used to tell them about the letterpress we have in our garage. This is true, we do have a letterpress in our garage, but it’s never been used to print a single product for a paying client. Instead, we outsource all of our printing to various artists, craftspeople and printers all over the USA. Why? Because we are very, very good designers. My greatest joy (truly!) is to play with color, type, graphics, borders, papers, etc to custom create an outstanding wedding invitation for a client. But we are not amazing printers.We have spent over nine years working hard to find the best letterpressers, offsetters, engravers, screen printers and even digital printers. We know the best papers and print mediums for each and every job. And when we don’t, we rely on our excellent print partners to give their recommendations so that our client ends up with a beautifully designed and perfectly printed invitation.

As I step off my soapbox, here are a few concluding thoughts:

“Do what you do so well that they will want to see it again and bring their friends.” {Walt Disney}

“Best Efforts will not substitute for knowledge.” {W. Edwards Deming}

“You have to perform at a consistently higher level than others. That’s the mark of a true professional. Professionalism has nothing to do with getting paid for your services.” {Joe Paterno}

“Letting your customers set your standards is a dangerous game, because the race to the bottom is pretty easy to win. Setting your own standards–and living up to them–is a better way to profit. Not to mention a better way to make your day worth all the effort you put into it.” {Seth Godin}

A South Louisiana Celebration

This oversized A9 invitation (5.5×8.5ish) is one of my favorites! Printing on sturdy, thick conservation board gives the soft design the heftiness it needs. Celebrating Louisiana was a big part of the day… so a reply postcard is printed with a fun quote on one side and a reply card on the other… perfecto!

With warm eggplant and moss inks and a gorgeous all-over pattern on the reverse side, this design was a little bit classic, a little bit fun, and a whole lotta Louisiana!

Vintage Book Delight

When Annie came into our studio early this summer to discuss invitations for her September wedding, she knew that she wanted to utilize fall colors and hoped to somehow create a piece that was inspired by a vintage book. Her outdoor, laid-back wedding would take place at the Governor’s Mansion in Nashville, and she wanted the whole thing to feel effortless and casual, utilizing raw linen, rough wood and burlap as her event focal pieces.

It took about 200 rounds of proofs to get all the details nailed down (okay, I’m exaggerating), but the finished piece was absolutely stunning and spectacular. Our little studio had a grand old time producing each book by hand (self-adhesive book cloth we discovered in the UK made ALL the difference): adhere book cloth to spine, adhere marbled paper to inside cover, insert inner page, tie with baker’s twine… LOVELY finished piece. This was a labor of love for our whole studio, and we’re thrilled and delighted with the finished products.

And if that weren’t enough, we also had the opportunity to create additional pieces for the day-of: programs (three different colors for the cover) and an Out of Town Guest Booklet.

Invitation details:

French Speckletone Olive cover stock was letterpressed in metallic gold ink for the booklet cover. The Crane Lettra stock used for the inside spread was letterpressed in chocolate brown ink on one side and flat printed (multiple inks) on the other. The map was created by a friend of the bride as a wedding gift. Library-style pockets were a custom created die-cut so that a standard reply card set would tuck inside.

The reply card was designed to look like a library return card and was letterpressed on Crane stock in chocolate brown ink. The reply envelope was flat printed in a rusty brick red color onto a bright orange envelope stock.

Invitation envelopes were written in calligraphy by hand in a mixture of script and roman styles in chocolate ink. The envelope return address was flat printed onto the flap in metallic gold ink.

Stationery was letterpressed in gold ink on Crane lettra stock; bright orange envelopes were paired with it for a pop of color and funk.

Programs were offset printed on three different cover stocks: French Speckletone chocolate, olive and brown. All covers were printed with gold ink and all inside spreads were offset in chocolate ink and tied with the same baker’s twine (in mocha) that we used for the invitations.

Twelve-page Out of Town Guest booklets were offset printed onto Speckletone Olive cover stock and cougar natural text weight stock for the inside pages (printed in chocolate brown).

Phew! I think I’ve covered it all. Annie, thanks for your trust, vision and love! This was such a super fun project and we so appreciated being a part of your big day.

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Getting Some Attention…

We are thrilled and delighted to have one of our custom designs featured on Oh So Beautiful Paper today! Nole of OSBP does the best, best, best job (in my humble opinion) of showcasing design-forward, current and invigorating stationery design. And one of my favorite things about this blog is it’s specificity: it’s paper, paper, paper and nothing but paper. See our whole spread on Olivia’s fun 4th birthday party invitation here.

Thanks for the shout-out, OSBP! Keep up the good work…

In the meantime, here are some close-up pics of Olivia’s invitation for your perusal.

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Ho ho holidays around the corner…

It’s October… a chill is in the air and the leaves are already littering my driveway. You may think that Christmas card season is a long way off, but you’d be a-thinkin’ wrong! Our super duper Type A clients have already been placing their holiday card orders. Start thinking NOW… this way you avoid the crazy running-around-like-a-chicken-with your-head-cut-off madness that tends to be the first week of December. The magical first week of December is when people start to receive their first holiday cards in the mail… and realize that they haven’t ordered theirs yet. Get on it now, folks. The sooner, the better!

This summer I had two fab interns, Brooke + Diana from the UT Graphic Design Department working with me to create some new holiday looks. I know that they felt a little odd designing Christmas cards in the sweltering heat of June and July, but that’s the way we roll in this industry. I’m posting their fabulous creations for T.H.E. here. If you’re interested in one of these designs, give me a shout… or just purchase online; they should be added to our site within a week or so.

Photography by:

503 Photography

Angela Acker Photography

Smitten Photography

Meg Brown

Modern Ink

Our dear friends at Modern Ink Mag showcased a mini-spotlight on The Happy Envelope in their latest issue. We love to collaborate with creative peeps like Allison and Rachel at Modern Ink Mag. This is just a screenshot… check out their latest online magazine here. Full of fashion, art, beauty, design and products… you’ll love it as much as I do. Also, my dear friend Susan at J.Press Designs created the Modern Ink logo and laid out their first two issues… kudos to your great eye, as always, Suze! You can purchase Susan’s great designs here. Grab a cuppa joe and sit down to enjoy a great magazine. Aaaah.

Both of of spreads are featured below. These images showcase our studio door, our studio chalkboard bridal wall, calligraphy, letterpress equipment, production work and some recent work.

Rachel + Todd’s Wedding

We are back to visit with Rachel and Todd, now officially ‘Mr. and Mrs. Sparks.’ You can see our blog post on their fabulous invitations here. We letterpressed clean, sophisticated type onto ultra thick 220#, 100% cotton paper stock and painted the edge a peacock blue. Gorgeous!

Now that Rachel is officially Mrs. Sparks, I’m able to share some wonderful photos of their wedding day. Ty and I decided that Rachel and Todd may be the prettiest people that we know in real life, so these pics are to die for, if only to swoon over a super cute couple. Plus, with the joining of the last names “Candy + Sparks,” how can you go wrong?

The ceremony was at Church of the River in Memphis, Tennessee and the reception took place at the beautiful Woodruff-Fontaine House.

Rachel wore these adorable blue flats (way to go with comfort AND style!); Todd is an architect and designed the programs himself (with a few typeface suggestions from their beloved stationery designer)… I’m impressed with his final product! Proof that DIY can be totally perfect when done carefully.

Floral designs by the bride’s family friend, Kathie Ray of Gatherings Flowers. Superb! I love the unique variety.

The best part of the Woodruff-Fontaine House may just be the adorable Children’s Cottage… Rachel had it filled with candy and sweets for the little ones. What a sweet sentiment!

Photography by Jen McDonald.

Music by Knoxville’s own Old City Busker’s.

Catering and cake by Me and My Tea Room.

Clambake!

Wow. Carly’s wedding was in July and my remaining posts about our New England Wedding Trip have been seriously tardy. I’m really kinda embarrassed. Things have been super busy here at the studio, but that’s a lame excuse for my poor timing on finishing out this series. Especially because I’ve been looking forward to doing THIS post for quite some time… It’s Rehearsal Dinner Time!

This was such a fun event. Any true Coastal New Englander knows what a real clambake is made of, but for the rest of you poor ignorant souls: a clambake consists of digging huge holes in the ground and filling them with hot coals. Then, we dump a whole bunch of seafood (clams and lobsters, most notably) along with potatoes and corn cobs into the hole and pile coal on top. The food gets baked between the coals and is unearthed for a hearty seaside meal! It has been years and years since I’ve eaten a fresh lobster and let me tell you… it was heavenly. Actually, thank the good Lord that I married a country boy… he gladly gave me his and I’m not afraid to confess that I ate TWO lobsters. Totally worth every calorie of overindulgence. Besides, it takes a lot of work to dig the meat out of a scrawny ol’ lobster… so I’m going to call that my workout.

The event took place at the historic Eisenhower House in Fort Adams State Park, built in 1873. A long manicured lawn leads out to astonishing views of Narragansett Bay. It was stunning!

Delightful and delicious! Thank you, Mr. and Mrs. Framptom!

Identity for New Leaf

Recently, my oldest friend called me about putting together an identity design for his company. And by oldest friend, I mean longest history; I’ve known this fella since I was born, and he’s been begrudging my existence since I was carried through the door from the hospital… It’s my brother! At two years older than me (but about 12 years more mature) he’s finally found a use for his annoying little sister. I tease (kinda).

Doctor Timothy Nyberg specializes in neuro something or other and I know he does a lot of testing. How’s that for understanding my client’s needs? He recently started his own practice and needed an identity which could then be translated to business cards, letterhead and envelopes.

Here’s where we started: I typically put together four initial concepts for identity design taking one to completion.

This one I called Illustrated Manuscript Leaf Border with Paisley Accent. Before you get all judgey on me and think that it’s waaaay to girly for a male doctor, let me prove myself by saying that even though it was indeed voted down as being too feminine for his practice, Tim loved it so much that he suggested turning it into personal stationery for himself. This is a guy who loves paisley. I knew he’d dig it.

“Botanical Illustration Reversed Out” was my personal favorite. I love the bold leave graphic and the olive green color. Tim liked this one but wanted to see it with a fern leaf graphic instead, which you’ll see in the edits below.

“Leafy Frame with Acorn” consisted of a mild, neutral color palette. The soft leaf border was contrasted by the strong, crisp and clean type. The only thing I wasn’t 100% sure about was the use of the acorn because after all, an acorn is a kind of nut. I didn’t know if a psychologist would want anything “nutty” if you know what I mean…

This baby spring leaf was shown popping out of a burlap-linen textured dirt graphic. It’s a much more modern, bold and graphic interpretation.

After Tim and his staff reviewed the options, they decided that they really loved the reversed out design but wanted to see it in a more jade/forest green instead of olive and with the fern leaf interpretation. Also, (BIG also!) the name is “New Leaf Behavioral Health,” not “A New Leaf,” so that was a major edit.

Final logo here:

The three fern leaves and the forest green hit the nail on the head for Tim. We applied the new identity to business cards and envelopes, as well as digital letterheads. At this time, we’re so swamped with invitations that I’m not accepting a lot of identity design work because it can be a laborious process. If it seems like a particularly interesting job or I feel like it’s right up our ally, then I’ll go for it. This was a fun one because of the client! I love a fun project.

Lovely Pages

Recently I worked with a client who was looking to create a custom book-style wedding invitation, complete with fabric book tape and vintage styling. It was an exciting project (don’t worry!—pictures of the completed suite will be coming soon) but I had some nagging questions as I began to plan the execution of almost 400 custom-made books. Luckily, I had a knowledgeable person that I was able to contact regarding all the ins and outs of custom book-making… Cheryl Prose has been dedicated to book arts for many years, and she was my personal Superwoman when it came to helping me smooth out the wrinkles of my own project a few months back. I caught up with Cheryl recently to find out more about her craft and personal style. Check out our mini-interview below. Take a good look at all of the detail that she puts into each book that she creates!

SP: How were you introduced to book arts?

Cheryl:  I began making books approximately ten years ago as a natural extension of hand papermaking.

SP: What do you love most about book arts?

Cheryl: Some of my earliest memories revolve around books and paper.  I can’t recall a time when books and paper were not an integral part of my life.  There’s nothing like the feel, sound and smell of handmade paper.  I’m continually amazed by the experience of processing fiber into pulp and forming sheets of paper.  As for books, I love their physicality and that they are an intersection with so many art and craft disciplines: handmade paper, photography, woodwork, metalwork, printmaking, letterpress, drawing, writing, textiles, ceramics, and more.  Whether books are constructed of repurposed materials or the finest leathers, I find them equally interesting.

SP: How have you seen book arts transform and evolve since you’ve been involved?

Cheryl: The world of book arts is ever expanding.  Among the exciting developments are the recent MFA in Book Arts programs that are being accredited and the community paper/print/book centers and groups that are forming.  Book and paper making can be solitary pursuits but they can also involve collaboration and community.  When I began this work I did not anticipate the numerous connections that I would make with other book artists and paper makers nor did I dream that some of those connections would grow into treasured friendships.  The community that has grown up around book arts in both academic and community circles never ceases to encourage and inspire.

SP: What is your personal favorite piece and why?

Cheryl: One of my favorite pieces is a Coptic binding with embossed and woven metal covers.  Perhaps it is among my favorites because it is unlike the books I typically produce.

SP: If you weren’t making books, what would you be doing?

Cheryl: I actually make books and paper as an avocation.  These are creative outlets that nurture the rest of my life.  Just as my early days were filled with books and paper, I anticipate that my later days will also be filled with these objects, many of which I have made.
Cheryl can be reached at novicebinder@yahoo.com